Music Ministry

Music in Catholic Liturgies:

Check the following link to read what the Catholic Church has to say about the importance of singing through rubrics detailed in the General Instruction of the Roman Missal (GIRM) in Chapter II: The Structure of the Mass, Its Elements, and Its Parts, Section II: The Different Elements of the Mass – The Importance of Singing (paragraphs 39-41).

http://www.usccb.org/prayer-and-worship/the-mass/general-instruction-of-the-roman-missal/girm-chapter-2.cfm

 

A truly good place to read about why music is such a vitally important aspect of our Catholic liturgies is at the following link:

http://www.makingmusicprayingtwice.com/about-us/mission

 

Read about the San Francisco project to promote beauty in music, liturgy By Carl Bunderson in the Catholic News Agency (CNA) at http://www.catholicnewsagency.com/news/san-francisco-project-to-promote-beauty-in-music-liturgy/

Cantor

Concise Encyclopedia defines a cantor as follows. “In Judaism and Christianity, an official in charge of music or chants. In Judaism the hazzan (cantor) leads liturgical prayer and chanting. In medieval Christianity the cantor had charge of a cathedral’s music—specifically, of supervising the choir’s singing. The term also designated the head of a college of church music.”

 

Quoted from http://www.merriam-webster.com/dictionary/cantor

If you are a good singer, have the confidence to lead the congregation, and are willing to make a commitment to enhance the liturgies at St. Joseph Church, then please contact Gene Werner, Director of Music and Liturgy, through the church office, 556-4611. Practices will be scheduled with Mr. Werner based on his calendar.

Choir

We welcome you to join us if you are willing to make a serious commitment of time to make liturgies at St. Joseph as meaningful as they can be. Contact Gene Werner, Director of Music and Liturgy, through the church office, 556-4611. Practices begin promptly at 7PM on Tuesday evenings AND at 9:30AM on Sunday mornings in Room B of the Family Life Center. The choir sings during the 10:30am Sunday liturgy. All are welcome – sing, and pray twice!

Handbell Choir

We welcome anyone over the age of 10 years old if you are willing to commit to regular practices. Please contact Gene Werner, Director of Music and Liturgy, through the church office, 556-4611. Practices begin immediately after the 10:30 AM Sunday Mass.

Saint Cecilia

Saint Cecilia is said to have heard heavenly music inside her heart when she was forced to marry the pagan, Valerian.  A wealth of music, art and festivals in honor of St. Cecilia has grown from the is little bit of information from her biography.  She is the acclaimed patron saint of music, especially church music, as well as that of musicians, composers, instrument makers and poets.  The name Cecilia means blind and so, although we don’t know if she herself couldn’t see, she is also the Catholic patron saint of the blind.

It is believed that St. Cecilia was born in the 2nd or 3d century A.D., although the dates of her birth and martyrdom are unknown. A religious romance telling the love story of Saint Cecilia and Valerian appeared in Greece during the 4th century A.D., and there is a biography of St Cecilia dating from the 5th century A.D. She is purported to have been the daughter of a wealthy Roman family, a Christian from birth, who was promised in marriage to a pagan named Valerian. Cecilia, however, had vowed her virginity to God, and wore sackcloth, fasted and prayed in hopes of keeping this promise. Saint Cecilia disclosed her wishes to her husband on their wedding night. She told Valerian that an angel watched over her to guard her purity. He wanted to see the angel, so St. Cecilia sent him to Pope Urban(223-230). Accounts of how and when Valerian saw the angel vary, but one states that he was baptized by the Pope, and, upon his return to Saint Cecilia, they were both given heavenly crowns by an angel. Another version recounts that Tibertius, Valerian’s brother, sees the crowns and he too is converted.

The two brothers then make it their mission to bury Christian martyrs put to death by the prefect of the city. In turn, they were brought in front of the prefect and sentenced to death by the sword. Cecilia, in the meantime, continued to make many conversions, and prepared to have her home preserved as a church at her death.
Finally, she too was arrested and brought before the prefect. He ruled that she should die by suffocation in the baths. Saint Cecilia was locked into the bathhouse and the fires vigorously stoked. She remained there for a day and a night but was still alive when the soldiers opened the doors. She was then ordered beheaded, but the executioner, after striking three times without severing St Cecilia’s head, ran away, leaving her badly wounded.

St. Cecilia hung onto life for three days after the mortal blows, preaching all the while. She made many more conversions and people came to soak up her flowing blood with sponges and cloths. There exists in Rome a church in St. Cecilia’s honor that dates from about the fifth century. Her relics were believed to have been found by Pope Paschal I in 821 A.D., in the cemetery of St. Celestas. These remains were exhumed in 1599, when Cardinal Paul Emilius Sfondrati rebuilt the church of St. Cecilia, and said to be incorrupt.

St. Cecilia’s following flourished during the Middle Ages in Europe. Songs were sung in her name, poetry was written, paintings with St. Cecilia as the subject were created, and her feast day, on November 22 was happily celebrated. She continued to be a popular topic for the arts well into the 18th century. Hans Memling, in 1470, painted St. Cecilia playing the organ at the mystical marriage of Catherine of Alexandria. In 1584 she was named patroness of the academy of music founded in Rome. Raphael painted her at Bologna, Rubens at Berlin and Domenichino in Paris. Chaucer commemorates her in his Second Nun’s Tale and Handel set John Dryden’s “Ode to Saint Ceclia” to music in 1736. Never was so much made of such a tiny bit of pseudo-biographical information. St. Cecilia, said to have heard heavenly music at one moment of her life, became the patroness of all western music. Even the Andrews sisters, in 1941, recorded a song, “The Shrine of St. Cecilia.”

The Saint Cecilia medal, typically features her at the organ, the traditional instrument of the Catholic Church, sometimes with angelic hosts gathered around her. St. Cecilia societies still flourish around the world, often sponsoring musical events and contests. There is a beautiful St. Cecilia Cathedral in Omaha, Nebraska, the diocese of which claims her as their patron saint. In fact, anyone involved with Church music will know of the feast day of Saint Cecilia and what it represents. Prayers to her ask God’s blessings on musicians and the hymns they proclaim to Him. Musician or not in her real life, St. Cecilia, by her devout, musical followings has certainly earned the right to be called the patroness of music.

P. Kirsch, “St. Cecilia,” The Catholic Encyclopedia, Vol. III, 1908, NY:Robert Appleton Company, New Advent, June 26, 2007 www.newadvent.org/cathen/03471b.htm

“Saints and Angels,” Catholic Online, copyright 2007, June 24,2007 www.catholic.org/saints/sint.php?saint_id=34

“Cecilia,” Catholic Forum, June 27, 2007 www.catholic-forum.com/saints/saintc04.htm

“Cecilia (Saint)” Wikipedia, June 27, 2007 www.en.wikipedia.org/wiki/saint_Cecilia